I think this is the reason that I've always been reticent about typography, motion, interactivity when it comes to text—that space between "almost" and "completely" is razor thin, there's not a lot of room to work in there. and even in the most sophisticated concrete poetry, the visual operations of the motion and the language of interactivity always seem to operate along very straightforward rules of analogy and metaphor
watch out for my new work, "Text Page," an interactive poem where text behaves like it's on a page
@aparrish My next poem will consist of colored chemicals placed on flattened dried wood pulp.
Amazingly, it's entirely inert and meaningless until a reader interacts with it!
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