@hellocatfood @celesteh Hey! Thanks :) Do you know there's an official Ardour YouTube channel where I also publish videos?
youtu.be/r0PUxbVj59M

srsly considering moving away from Twitter. With the latest update all I see are what others liked, so many ads and basically stuff I didn't subscribe to.

eagerly awaiting the day when scientists finally invent a centrifuge powerful enough to separate the art from the artist

Chiptune should have the same goals and guidelines as Algorave

It took me 4 years to get adjusted to US elevators where, to get to the ground floor, you need to press 1. Now I'm back in Europe and don't know what number to press to get out. Ah, yes. 0.

I'm sorry to bring this up, but someone had to say it - Kdenlive is no good :( All hope in Olive.
youtu.be/ym1brc2OcYQ

The program of the Libre Graphics Meeting is out. libregraphicsmeeting.org/2019/ #LGM 19

Anyone from TW #Germany planning to go?

@celesteh I know you're not on Twitter, but there was a lot of criticism of the film, including from the people that appear in it. RA apologised.

@celesteh you know several of the people in the video and could have asked us whether we knew it was going to feature mostly male voices *before* making that youtube comment

@celesteh regarding your YouTube comment: unlike a panel discussion, in my experience you don't usually know who's going to appear in a video or documentary.

Now, in this case we know that multiple women were interviewed but their interviews didn't make the final video. So please don't blame me or the other people in the video for appearing in it.

2018 was the year I concluded that any system whose purpose is to measure, capture, and monetize human attention is immoral and inevitably leads to the erosion of the commons and society itself. In 2019 I'm committed to helping dismantle these systems by all possible means.
Concretely this means supporting nonprofit alternatives like mastodon, blocking all ad tracking (sorry, people whose livelihoods have been captured by that industry), and doing whatever most damages the attention industry.

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