Beats my why I haven’t been already using Fancyzones on a multi-screen setup. Instant convert. github.com/microsoft/PowerToys

RT @lmesseri@twitter.com

I watched The Social Dilemma last night. If anyone is curious why STS scholars could be so upset with a documentary that at its core espouses an agreeable and important critique of social media, here's a thread. 1/11

🐦🔗: twitter.com/lmesseri/status/13

… but not an end! Nintendo is at its best. I am thankful to have been there from the very beggining of the two-screened console, along with the enthusiastic @NintendoHellas@twitter.com community and the top professionals of Nortec, since the 2/2

Show thread

End of an era for . A wonderful console to stand the test of time for years to come thanks to one thing that matters: unique games of high quality and polish. A kind of polish to never be seen again in the age of DLC. theverge.com/2020/9/17/2144109 1/2

Dear @NetflixGR@twitter.com, the Greek subtitles of are bad. Sure, it’s difficult to translate what is technical and uncommon, but try harder. Wonderful documentary still.

RT @_ziv_e@twitter.com

This week, @sydneymlevine@twitter.com @DG_Rand@twitter.com, @iyadrahwan@twitter.com and I have a new paper out that explores the thorny question of "Who gets credit for AI-generated art?" Buckle up, because it's a wild ride.
twitter.com/iScience_CP/status

🐦🔗: twitter.com/_ziv_e/status/1305

RT @doctorow@twitter.com

Take it away, genocide historian Gregory Stanton: "The world has seen QAnon before. It was called Nazism. In QAnon, Nazism wants a comeback."

justsecurity.org/72339/qanon-i

eof/

🐦🔗: twitter.com/doctorow/status/13

Just released /montaziera — A rough tool, that helps to create a preview of a cut using ffmpeg for Windows and a CSV with timecodes → github.com/Arty2/montaziera

RT @SETIInstitute@twitter.com

PRESS RELEASE: The @SETIInstitute@twitter.com’s Artist-in-Residence (AIR) program is delighted to announce that it has partnered with the world-renowned @ArsElectronica@twitter.com to create the SETI x AI art residency. The open call for submission launches on September 9, 2020. buff.ly/3ieLmBZ

🐦🔗: twitter.com/SETIInstitute/stat

Atmospheric soundtracks may be indeed our only distance from fiction past:

RT @OmarJimenez@twitter.com

Someone put Bladerunner 2049 music to drone footage of San Francisco and at first I didn’t know whether to be amazed or horrified. This is very much horrifying.

🐦🔗: twitter.com/OmarJimenez/status

… and as a matter of fact I do, switching audio on and off. 😅
An overlay of what each program is current what’s next would be very helpful!

RT @ArsElectronica@twitter.com

Did you know that - theoretically ;) - you can watch four live streams of the festival simultaneously until September 13? ars.electronica.art/keplersgar

🐦🔗: twitter.com/ArsElectronica/sta

RT @dianeosis@twitter.com

Πώς επηρεάζει η κρίση το οικοσύστημα των καλλιτεχνών, των εργαζομένων & των προμηθευτών που εμπλέκονται σε αυτό; Ο Εκτελεστικός Διευθυντής της @Stegi_occ@twitter.com Χ.Καρράς καταγράφει τη σημερινή κατάσταση & αναδεικνύει τις βασικές προκλήσεις για την επόμενη ημέρα.
dianeosis.org/2020/09/o-evropa

🐦🔗: twitter.com/dianeosis/status/1

So excited to watch @Kyra_Goni@twitter.com ’s 🌱 within — watch live at youtu.be/1T8UaQnOVtI in 10 minutes from now!

RT @Stegi_occ@twitter.com

What comes after? presents 5 digital works that explore the search for a tomorrow that has been marked by a never-ending pandemic.
Discover them at onassis.org/whats-on/hackathen from Sept. 9.

@ArsElectronica@twitter.com

🐦🔗: twitter.com/Stegi_occ/status/1

RT @ArsElectronica@twitter.com

120 chairs from St. Florian Monastery in @StadtLinz@twitter.com, the @unesco_de@twitter.com City of Media Arts: Each of them represents one of our partners+guests who cannot be with us this year, but are still there. Without you, wouldn't be possible!
ars.electronica.art/keplersgar

🐦🔗: twitter.com/ArsElectronica/sta

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