Always has been, can confirm, I have gone swimming there before
RT @NycStormChaser

crazy US politics stuff 

looked at the qanon tag in the fediverse and...

VCs are investing in NFT platforms.

That says more about VCs than NFTs.

Day 5: Death: ...For The Whole World To See: Some archeologists fight about the origins of musical instruments. It's not the same for this album and Death's mark on punk rock when you listen.

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Day 4: White Zombie: La Sexorcisto: Devil Music Vol. 1: Slick, primal sleaze-metal w/ trashy intensity oozing out of every song. The monotony is saved by the punctuations of exploitation movie samples like the devil's ad-libs. Faster, slimebag, kill!

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Day 3: PJ Harvey: Stories from the City, Stories from the Sea: A love letter to urban life that reaches out to you. Nightlife, seediness, longing - Polly Jean makes the alt-rock strumming intimate, even with that widespread appeal.

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Day 2: Doves - The Universal Want: Long time since Kingdom of Rust, and the sound is like they shook off a lot of it. Not overly ornate, but the expansive melody and Goodwin's anguish makes a luster that washes out the dull.

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Day 1: Television - Marquee Moon: The title track is a dizzying piece that mesmerizes you, while the remaining songs are improvisational post-punk to their core. Decades onward, and there's still a lot on the album that's fresh.

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Kinda funny how the quarantine got Trent Reznor looking like the grizzled version of himself circa Pretty Hate Machine era in this cover of 鈥淔ashion鈥

Ariel Pink about to become the Goya Foods of indie rock thanks to Fox News

Just found out there's an RW/ anti-COVID instance here in masto. I'm gonna assume Parler just was too hardcore for them?

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