RT @OnassisStegi@twitter.com

Η Στέγη επιστρέφει στο Πεδίον του Άρεως.
25 καθηλωτικά έργα σε μια ονειρική έκθεση στην καρδιά της Αθήνας.
Εσύ τι πλάσμα είσαι;

🔴 PLÁSMATA: Bodies, Dreams and Data
Ψηφιακή Τέχνη στο Πεδίον του Άρεως
από Δευτέρα 23 Μαΐου

onassis.org/whats-on/plasmata

🐦🔗: twitter.com/OnassisStegi/statu

RT @Arty2@twitter.com

🔴 Plásmata: Bodies, Dreams and Data opens Monday, May 23 at Pedion tou Areos Park → onassis.org/whats-on/plasmata with works by @refikanadol@twitter.com @marshmallowlf@twitter.com @TonyOursler@twitter.com @SHOWstudio@twitter.com @NOWNESS@twitter.com @frederik_heyman@twitter.com @ekeneijeoma@twitter.com @liam_young@twitter.com @KimchiandChips@twitter.com @evpapamargariti@twitter.com &more

🐦🔗: twitter.com/Arty2/status/15257

RT @Arty2@twitter.com

🔴 Plásmata: Bodies, Dreams and Data opens Monday, May 23 at Pedion tou Areos Park → onassis.org/whats-on/plasmata with works by @refikanadol@twitter.com @marshmallowlf@twitter.com @TonyOursler@twitter.com @SHOWstudio@twitter.com @NOWNESS@twitter.com @frederik_heyman@twitter.com @ekeneijeoma@twitter.com @liam_young@twitter.com @KimchiandChips@twitter.com @evpapamargariti@twitter.com &more

🐦🔗: twitter.com/Arty2/status/15257

Or one they don’t go through their inbox blind or flagged emails just to find “that one link”.

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Somehow current visions of the metaverse are less exciting than 1993 visions of 2010s. Still, I’d settle with a future that people have no trouble connecting to a video call or configuring their headset.

RT @SamRo@twitter.com

AT&T predicted everything in this 1993 ad campaign

🐦🔗: twitter.com/SamRo/status/15257

RT @FuturEverything@twitter.com

Ahead of the opening of this years exhibition at Pedion tou Areos Park Athens, we're thrilled to share the documentary that allows us to see through the algorithmic lens, by @OnassisStegi@twitter.com & curated by our FutureEverythings @irini_mirena@twitter.com
bit.ly/3wme77S

🐦🔗: twitter.com/FuturEverything/st

was a hybrid festival produced by @OnassisStegi@twitter.com and curated by @irini_mirena@twitter.com → onassis.org/whats-on/festival- within the European ARTificial Intelligence Lab w/ works by @slowimmediate@twitter.com @entangledothers@twitter.com @memotv@twitter.com @annaridler@twitter.com @stephdink@twitter.com @Kyra_Goni@twitter.com @IlanManouach@twitter.com &more

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🔴 Plásmata: Bodies, Dreams and Data opens Monday, May 23 at Pedion tou Areos Park → onassis.org/whats-on/plasmata with works by @refikanadol@twitter.com @marshmallowlf@twitter.com @TonyOursler@twitter.com @SHOWstudio@twitter.com @NOWNESS@twitter.com @frederik_heyman@twitter.com @ekeneijeoma@twitter.com @liam_young@twitter.com @KimchiandChips@twitter.com @evpapamargariti@twitter.com &more

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🔴 Plásmata: Bodies, Dreams and Data opens Monday, May 23 at Pedion tou Areos Park → onassis.org/whats-on/plasmata with works by @refikanadol@twitter.com @marshmallowlf@twitter.com @TonyOursler@twitter.com @SHOWstudio@twitter.com @NOWNESS@twitter.com @frederik_heyman@twitter.com @ekeneijeoma@twitter.com @liam_young@twitter.com @KimchiandChips@twitter.com @evpapamargariti@twitter.com &more

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So excited to share the documentary by @OnassisStegi@twitter.com & curated by @FuturEverything@twitter.com ahead of our upcoming exhibition in Pedion tou Areos. Such a vibrant park in the center of Athens, and no less vibrant works by so many talented artists!
youtube.com/watch?v=E0cI_1w4lL

Words now represent nothing. The absurd prevails, but will it last?
“The centipede represents technology - both the life giving-force and the dangers of it, the juxtaposition of dark and light.”

“… even pushing aside copyright hurdles or the logistics surrounding competing game companies dismantling years’ worth of code to integrate brand-friendly cosmetics, there is one glaring issue: The target audience doesn’t seem into it.”

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“The things that make the promise of a metaverse intriguing, for the most part, already exist in online games. And much of what remains of that promise is unappealing, impossible, or greedy.”
wired.com/story/video-games-ah

RT @jr_carpenter@twitter.com

I wrote the entry on Wind for Words of Weather: A glossary that accompanies the exhibition “Weather Engines” (curated by Daphne Dragona and Jussi Parikka), on now at Στέγη Ιδρύματος Ωνάση / Οnassis Cultural Centre Athens onassis.org/culture/publicatio

🐦🔗: twitter.com/jr_carpenter/statu

On how understanding design is key for products and how “passion is overrated”, yet such a contagiously passionate discussion with @GuyKawasaki@twitter.com → open.spotify.com/episode/4BT11

International bodies adopting distributed social platforms? Yes please! Remember that you can Post Once, Syndicate Elsewhere.

RT @EU_Commission@twitter.com

We are on !

You can now read and engage with news and information about 🇪🇺 EU policies in a privacy-focused environment.

Follow us 🔗social.network.europa.eu/@EU_C

@joinmastodon@twitter.com

🐦🔗: twitter.com/EU_Commission/stat

Glad for the reminder that what we consider “public space” on the web is more of the “shopping mall” kind, less of the “town square” kind: it supports exchange out *in public*, but does not belong to *the public*. Both are useful.

Then we can argue about which one we need most.

RT @LeonardoISAST@twitter.com

OPEN CALL | HACK S+T+ARTS 2022: CIRCULAR FUTURES!How can systems thinking and co-creation have an impact on your community?The S+T+ARTS Regional Centers in Greece, invites you to radically rethink systems for circularity.
Read more➡️onassis.org/open-calls/open-ca

🐦🔗: twitter.com/LeonardoISAST/stat

Το αποτέλεσμα είναι να δημιουργείται ασάφεια, και να επικρατεί το ξύλινο και η κυνικότητα.

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Η φαινομενική και υπαρκτή αδιαφάνεια στη λήψη αποφάσεων, στην ουσιαστική ενημέρωση είναι μια ήττα για την ορθολογική πολιτική. Σωστό να αλλάζουν οι οδηγίες, γιατί τα δεδομένα αλλάζουν. Είναι καλύτερο για τη δημοκρατία τα δεδομένα να είναι δημόσια, ώστε να κρίνονται οι πολιτικές.

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