THE IMPOSSIBLE UTTERANCE #3-4 A zine for offbeat language work. #3 was produced by combining two HyperCard stacks, one (by Miekal And (@memexikon)) which produces an endless stream of words like "finacy" and "Orryseneyex]", and the other which makes typographically complex illustrations to go along It's not especially readable, though it is almost maddeningly close to language. Jake Berry and Miekal And are among the contributors
via https://archive.org/stream/factsheet_five_37 #personalarchive #xexoxial
"the permaculture for decentralized culture is no different than the permaculture for a small sustainable homestead"
my father in 1981:
"from Pyramidology of Humanness, the first performance work Lyx and I did in 1981. A seven day performance, the event for this day was at a house gallery in Madison where we installed a walkthru book in 3 or 4 rooms of the gallery" -@memexikon (reposted from https://facebook.com/10158199342622112)
went down a rabbit hole of media archeology with my partner showing them work from my family and folks I grew up with.
page 46 of Listening Streak Processing Stance
Collaborative collage book by C Boy, Cedar, William Anderson, mIEKAL anD (@memexikon) & Elizabeth Was. Published by Xerox Sutra Editions in 1982
found a version for sale here https://thenewbridgeproject.com/product/why-publish-noise-miekal-and/
@memexikon @fcr just found out this book was translated into German last year. https://www.verlag-hubert-kretschmer.de/produkt/so-viele-de-heft-66-why-publish-noise/
"Perhaps more than any theory any discourse I most wonder about the real life dynamics of how poets on this list who either have children or are in everyday contact with children breath their own poetic sensibilities onward thru their children. & by drift & by deriv� maybe posters could tag the nonadult headcount in their households. Miekal who co-creates with 9 year old son Zon Wakest first began when he took on the Mac SE at age 1 1/2." -@memexikon
Burning bridges to a culture sinking into the swamp.
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