J'ai TELLEMENT aimé ce morceau. Je l'aime toujours. Anne Clark 
A écouter sans modération. Bisou.
https://www.instagram.com/reel/DErszHYIeEo/?igsh=MWc5cXo4d2UxaGE5Mg==
InstagramPostpunk_80 on Instagram: "Clark was born the daughter of a Roman Catholic Irish mother, Cecilia, and a mixed Scottish and Welsh Protestant father, Herbert. She has one brother, John and mentions in her spoken biography 'Notes Taken Traces Left' that her mother also had another son who died shortly after being born. Clark recollects her childhood in her spoken biography as being "troubled but loving at the same time". At the age of 16, she left school. She took various jobs, one of which was as a nurse in a psychiatric hospital. Clark then worked at a local record store (and label), Bonaparte Records. Punk rock was finding its way into London's music scene and matched her emotions.
Clark became involved with the Warehouse Theatre, an independently financed stage for bands, that was low on cash. Although the theatre's owners initially objected to the strange, pierced punk scene characters and their leather outfits, she was able to successfully arrange the program. Clark managed to fill the theatre with artists like Paul Weller, Linton Kwesi Johnson, French & Saunders, The Durutti Column, Ben Watt (who later became a member of Everything But The Girl), and many others. She experimented with music and lyrics herself and first appeared on stage in Richard Strange's Cabaret Futura with Depeche Mode.
Clark worked with Paul Weller to help set up Riot Stories. He had put up an article[where?] about helping young writers that were unable to be signed up to major record labels. Clark said that at first the relationship was troubled due to him not replying to her letters. She announced "After a pretty heated letter calling out his rudeness, I received one back in the same tone." Clark subsequently said that the relationship ended up being a strong one, which still exists today."10K likes, 193 comments - postpunk_80 on January 11, 2025: "Clark was born the daughter of a Roman Catholic Irish mother, Cecilia, and a mixed Scottish and Welsh Protestant father, Herbert. She has one brother, John and mentions in her spoken biography 'Notes Taken Traces Left' that her mother also had another son who died shortly after being born. Clark recollects her childhood in her spoken biography as being "troubled but loving at the same time". At the age of 16, she left school. She took various jobs, one of which was as a nurse in a psychiatric hospital. Clark then worked at a local record store (and label), Bonaparte Records. Punk rock was finding its way into London's music scene and matched her emotions.
Clark became involved with the Warehouse Theatre, an independently financed stage for bands, that was low on cash. Although the theatre's owners initially objected to the strange, pierced punk scene characters and their leather outfits, she was able to successfully arrange the program. Clark managed to fill the theatre with artists like Paul Weller, Linton Kwesi Johnson, French & Saunders, The Durutti Column, Ben Watt (who later became a member of Everything But The Girl), and many others. She experimented with music and lyrics herself and first appeared on stage in Richard Strange's Cabaret Futura with Depeche Mode.
Clark worked with Paul Weller to help set up Riot Stories. He had put up an article[where?] about helping young writers that were unable to be signed up to major record labels. Clark said that at first the relationship was troubled due to him not replying to her letters. She announced "After a pretty heated letter calling out his rudeness, I received one back in the same tone." Clark subsequently said that the relationship ended up being a strong one, which still exists today.".
@Mme12 un lien insta ici, c'est une mise en abîme ? 
@poulpejaune hahaha ! Complètement !