“These projects are characterised by liveness. They are not representations of other worlds but experience-generating environments in this one. The experiences they generate are also variable because they are dependent on numerous factors, including the behaviour of visitors.”
‘Total Immersion’ – Marcus Verhagen discusses a form of experiential ‘art-as-event’ that has developed its own profitable economic model
March Art Monthly
[pic: Es Devlin, ‘Forest of Us’, 2021]
