mastodon.social is one of the many independent Mastodon servers you can use to participate in the fediverse.
The original server operated by the Mastodon gGmbH non-profit

Administered by:

Server stats:

330K
active users

#gigan

0 posts0 participants0 posts today

Giant cockroach aliens from the planet M Space Hunter Nebula has it out for Big G! On this week's Monster Mondays, they send their own monster to Earth as a first part of a colonization plot in Godzilla vs. Gigan!

Listen to the new episode at wp.me/p9Tw3k-1ED

Film Seizure Podcast · Monster Mondays #316 – Godzilla vs. GiganGiant cockroach aliens from the planet M Space Hunter Nebula has it out for Big G! On this week’s Monster Mondays, they send their own monster to Earth as a first part of a colonization plot …

Gigan – Anomalous Abstractigate Infinitessimus [Things You Might Have Missed 2024]

By Maddog

Back in the early 2010s, Gigan wooed me with their lovably absurd album titles, like 2013’s Multi-Dimensional Fractal-Sorcery and Super Science. Luckily, Gigan had the musical chops to back it up. Their distinctive blend of brutal death metal, skronky technicality, and alien atmospheres made me a cult megafan. Anomalous Abstractigate Infinitessimus interrupts a seven-year silence, and the only staffers thrilled about its arrival were myself and Alekhines Gun. In retrospect, this is understandable; AAI is a weird album by a weird band, and it’s unlikely to win over anyone who isn’t already so inclined. While Gigan’s newest is a lot to chew on, it offers a great glimpse into why I’ve stood gaping for over a decade.

If Mithras is Morbid Angel in space, then Gigan is Wormed in space. Eric Hersemann’s guitars lay the foundation, playing Defeated Sanity riffs at an Archspire pace. However, in its melodies, its composition, and its production, the album is foremost an atmospheric journey, not a riff-fest. Hersemann’s guitar and bass lines sound otherworldly through their dissonance and sudden transformations (“Erratic Pulsitivity and Horror”). Eschewing simple song structures, Gigan’s uneasy odysseys take several focused listens to make any sense. Straying from the genre’s typical clinical production, AAI opts for a reverb-laden wall of noise that resembles a muddled Mithras. This remains my biggest gripe, as the album’s cloudy guitar sound untooths its impressive melodies. Conversely, AAI’s highlight might be its drumming. Nathan Cotton’s world-class performance excels in its raw technicality, its frenzied evolution, and its cockpit role in the album’s ebb and flow. But most of all, it wows through its raw humanity. On highlights like “Trans-Dimensional Crossing of the Alta-Tenuis,” the attention to detail in Cotton’s performance shines through every beat and can only be described as beautiful. While that word isn’t common in brutal death metal reviews, it’s a testament to Gigan’s singular sound.

Anomalous Abstractigate Infinitessimus is a wild journey. Gigan steamrolls the listener with brutal riffs, appealing to idiots like me without devolving into idiocy themselves (“Square Wave Subversion”). On the other end, Gigan’s skronky adventures are grand slams. The latter half of “Trans-Dimensional Crossing…” blends light-speed brutality with Morse Code guitars that remain the album’s highlight, while “Emerging Sects of Dagonic Acolytes” captivates me with The Velvet Underground-style chaos. Armed with bulletproof melodies in their right hand and chaos in their left, Gigan’s compositions feel like Lovecraftian narratives. Most strikingly, the shrieking melodies and distorted drum-led chorus of “The Strange Harvest of the Baganoids” evoke visceral terror for the plight of those poor Baganoids.1 Gigan fares less well when they sacrifice riffs for amorphous meanderings, especially on longer tracks (“Emerging Sects…”). But when AAI wields riffcraft and atmosphere in unison, it stands unmatched. For instance, the closer “Ominous Silhouettes…” wows with what sounds like a Deeds of Flesh riff being played by a depressed Martian, leading into dual-guitar screeches à la Pyrrhon. Engrossing and ever-evolving, Anomalous Abstractigate Infinitessimus immerses the listener in its saga.

While snippets of Gigan bear the signatures of other bands, no one else has ever made music like this. Although its bloat and its muddy sound hold it back, Gigan’s comeback is a rewarding specimen of their unconventional brand of brutal death metal. Dissonant, brutal, grimy, and alien, Anomalous Abstractigate Infinitessimus is tough to digest even for the Gigan-initiated. Ears shall be split, brows shall be furrowed, and poseurs shall be (strangely) harvested. Few will survive. But those that do will have quite a story to tell.

Tracks to Check Out: “Trans-Dimensional Crossing of the Alta-Tenuis,” “The Strange Harvest of the Baganoids”

#2024 #AmericanMetal #AnomalousAbstractigateInfinitessimus #AtmosphericDeathMetal #BrutalDeathMetal #DeathMetal #DeedsOfFlesh #DefeatedSanity #DissonantDeathMetal #Gigan #Mithras #Pyrrhon #TechnicalBrutalDeathMetal #TechnicalDeathMetal #TheVelvetUnderground #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2024 #TYMHM #Wormed

Fractal Generator – Convergence Review

By Dear Hollow

Fractal Generator has always tortured me. 2020 debut Macrocosmos was an affair that I gave a 4.0 to, not because it convinced me of its excellence, but the Sudbury, Ontario trio convinced me of its complete lack of wrongness. I felt obligated to give it high marks because I could not see a flaw, but it did not capture my heart enough to award it a spot at year’s end. The issue was that, in spite of my praises of accessibility, the brutal passage of time found that Macrocosmos operated a relentlessly riffy and punishingly dissonant deathgrind with a surgical precision and faceless sterility that effectively robbed it of its humanity. Four years later we are faced with the forbidden knowledge of its follow-up, Convergence.

Old habits die hard, and Fractal Generator should not let their hard-hitting blend of dissonant death metal and deathgrind die. They’ve always encapsulated crawling Portal-esque dissonant sensibilities and Gigan-inspired sci-fi avant-gardisms – but fed through the Benighted machine. Serocs is a fair comparison, complete with triumphant atmospheres amid blasting tempos, and Convergence finds a newly honed balance and enriched textures that make it feel more like a passage through fantastical alien worlds and unknowable dimensions. It nonetheless lacks that humanity needed to meet us where we are, but Fractal Generator will kick your ass heartily with dissonance and riffs all year long.

There’s very little reprieve on Convergence, like any good deathgrind worth its mettle. Fractal Generator utilizes thick bludgeoning riffs to make its point, then sorely beating you over the head with dissonant leads, while synths, choral keys, and ambiance peak out amid the towering punishment like curious extraterrestrials. Riffs are the real world-eaters, however, as tracks “Cryogenian,” the title track, and “Obelisk” offer cutthroat insanity and frantic intensity that hit with the weight of colliding stars. Dwelling in warped melodics, “Askesis,” “Ancient Civilizations,” “Xiphoid” and closer “Encephalon” put scathing dissonance and squealing pinch harmonics ahead of chunky riffs, adding greater avant-garde weight to the intensity. Contrary to Macrocosmos, Fractal Generator manages to add honed dynamics, as tracks like “Ciphertext,” “Obelisk,” and opener “Cryogenian” infuse more atmospheric tricks that add greater contrast to the punishment, making them excellent cosmic mile markers in galaxies riddled with brutality. Contrary to Macrocosmos, Convergence is a far denser affair, which fits its more destructive tendencies, as brutal death metal’s familiarly squelching guitar gurgle is far more actualized.

Fractal Generator’s motto is “loud and proud and weird,” and with its scant appearances of wonky atmosphere, Convergence still manages to create something completely alien. While calling the act “the deathgrind Artificial Brain” is fair in theory, Fractal Generator still adheres to its sterile depiction. While the denser production fits the deathgrind a la cosmicism mold, it also creates more of an issue with the audibility of some elements, as tracks like “Convergence” and “Algorithmic Pathways” find leads and snare drowned out in the thicker interpretation, worsened further by abrupt passage and tonal shifts. Perhaps unsurprising, vocals are largely one-dimensional throughout Convergence, relying on a subterranean roar, while bass remains nearly nonexistent.

In spite of its more suffocating feel, Convergence feels far more dangerous than its predecessor, vicious and refined compared to Macrocosmos’ strange blend of organic breathability and sterile precision. Fractal Generator’s sound is unique, its dissonance-on-alien-steroids formula slowly making solar waves in crowded deathgrind and dissonant death. Convergence is a step in the right direction, as it begins to cement its creators as the wrong divine and cosmic forces to fuck with, but Fractal Generator needs a connecting point to its audience beyond alien intensity and otherworldly squelching. Meantime, you can let this trio wreck you with the intensity of a thousand suns with Convergence.

Rating: 3.5/5.0
DR: 4 | Format Reviewed: 320 kbps mp3
Label: Everlasting Spew Records
Websites: fractalgeneratorofficial.bandcamp.com | facebook.com/fractualgeneratorofficial
Released Worldwide: June 6th, 2024

#2024 #35 #ArtificialBrain #Benighted #BrutalDeathMetal #CanadianMetal #Convergence #Deathgrind #DissonantDeathMetal #EverlastingSpewRecords #FractalGenerator #Gigan #Jun24 #Portal #Review #Reviews #Serocs #TechnicalBrutalDeathMetal #TechnicalDeathMetal

PREVIEW: GODZILLA BEST OF GIGAN #1
The world will tremble in fear when one of Godzilla's most ferocious foes arrives! When the technologically enhanced Gigan arrives from space, all other monsters beware! It'll take the strongest humans, machines, and protectors of Earth to stand up to the brutal blades of Gigan! Collects Godzilla: History's Greatest Monster #11, Godzilla: Rulers of the Earth...
comiccrusaders.com/preview-god
#comics #Godzilla #gigan #gojira #kaiju

Godzilla vs. Megalon (ゴジラ対メガロ) was likely the first AI movie I ever saw. Early on, agents hijack control of the perfect android from naive inventors, a scenario they had anticipated, however the AI, realizing the inherent danger of having a master control, disconnects and becomes autonomous!

Of course this could never happen in real life…

youtube.com/watch?v=leqmMWzVJN
>Underground nuclear testing has angered the undersea kingdom of #Seatopia!