“Dom Sylvester Houédard, described by David Toop as ‘the beatnik from the middle ages’, seemed keen on anonymity, despite the instant recognisability of his white monk’s habit and mysterious dark glasses.”
‘Breaking Lines: Futurism and the Origins of Experimental Poetry’, Estorick Collection, London – Peter Suchin
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[image: Dom Sylvester Houédard, ‘condensed aptitude’, 1971]
