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#georgesaunders

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C’è un equivoco, in ciascuno di noi, anzi, una malattia: l’egoismo. Ma esiste anche una cura.
Siate dei pazienti di voi stessi, bravi, propositivi, anche un po’ disperati – cercate le medicine antiegoismo più efficaci, cercatele con energia, finché vivrete. Scoprite cosa vi rende più gentili ..
cctm.website/legoismo-e-inutil

George Saunders

collettivo culturale tuttomondo · l'egoismo è inutile - elogio della gentilezza - collettivo culturale tuttomondol'egoismo è inutile elogio della gentilezza di George Saunders (Amarillo, 1958) - cctm collettivo culturale tuttomondo a noi piace leggere

📚 #bookstodon #literatur
Eine der bedrückendsten und präzisesten Kurzgeschichten über die us-amerikanische Gesellschaft, die ich in letzter Zeit gelesen habe: #GeorgeSaunders #TagDerBefreiung (2024)

„Gesellschaft ist in der Überzahl, ist durchtränkt vom Selbstbewusstsein des Reichtums, hat keineswegs vor, zu verlieren, denn schon vor langem hat man hier beschlossen, sich mit Überfluss abzupolstern und jeglichen Verlust auf Abstand zu halten.“

> I once heard the term "consensus reality" used to describe the set of things about the world that we all pretty much agree to be true.

Water is blue, birds sing, and so on. And although water is not simply blue and not all birds sing, and o call what some birds do "singing" approximates and undersells what they actually do, agreeing on this consensus view is natural and useful.

The spell of words … a wonderful book in which a Booker prizewinner explains what makes classic short stories work so well.

This book is a delight, and it’s about delight too. How necessary, at our particular moment. Novelist and short story writer George Saunders has been teaching creative writing at Syracuse University in the US for the last 20 years, including a course in the 19th-century Russian short story in translation. “A few years back, after the end of one class (chalk dust hovering in the autumnal air, old-fashioned radiator clanking in the corner, marching band processing somewhere in the distance, let’s say),” he had the realisation that “some of the best moments of my life, the moments during which I’ve really felt myself offering something of value to the world, have been spent teaching that Russian class.”

Now Saunders has developed as essays some of the thoughts arising from those classes, and put them together into a book alongside the stories he’s discussing – by Chekhov, Tolstoy, Turgenev and Gogol. These essays aren’t anything like academic analysis. The questions that get asked in a reading-for-writers class are inflected differently from literary criticism – “Why did the writer do this?” rather than “How must we read this?” – even if they converge finally on the same points of appreciation, and the same questions of meaning.

Quelle: A Swim in a Pond in the Rain by George Saunders review – rules for good writing, and more

For further reading here the link for a very nice interview with George Saunders about his new short stories collection „Liberation Day“ in the „Time“: https://time.com/6221432/george-saunders-liberation-day-interview/

What was it like to write stories after your intensive study of Chekhov, Turgenev, and other Russian greats?

There was a little bit of feeling inspired, because getting inside those stories really got me energized about the form—and also made me realize there were things within the form that I hadn’t tried yet. Those Russian stories are so good at creating feelings of confusion and ambiguity on the part of the reader, and at the end, they say, “All these things are true.” They just leave you in that space, going, “What am I supposed to believe?” And the story’s going to say, “Well, all of it.” So that’s something I’m trying to do.

In Liberation Day, it feels like you’re leaning even more into ambiguity, leaving space for the reader’s interpretation.

It might have to do with the times in which it was written, because the highest form of wisdom I could find to get through the last three or four years is to say something like, “Admit everything. Admit all sides of the issue. Admit my own confusion about what’s going on politically and with COVID.” And don’t try to do what I might normally do, which is to tilt toward optimism or a sort of facile accommodation. Life is complicated. Let’s leave everything in.

https://www.pottbayer.de/2024/05/30/a-swim-in-a-pond-in-the-rain-by-george-saunders-review-rules-for-good-writing-and-more/

The Guardian · George Saunders: what writers really do when they writeBy George Saunders

Second of two... based on a #GeorgeSaunders story "Sea Oak". Listen and read here: pastemagazine.com/music/songwr

This song was by Craig Finn and does such an amazing job of totally standing on its own as a song with no awareness needed of the original story while also being completely grounded in the story details.

#songwriterpodcast
#pastemagazine
#SeaOak
#penandink
#digitalart
#CraigFinn #HoldSteady
#musicvisual
#dcartist
#detroitartist
#writers
#writerscommunity
#multimedia
#MultimediaArt

First of two in more song visuals, these based on a #GeorgeSaunders story "Sea Oak". Listen and read here: pastemagazine.com/music/songwr

I really loved the song by @myheart with @viennateng and featuring more cock references than i think anyone expected... but totally appropriate for story. Anyway, fun to do.