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#classicalmusic

101 posts79 participants4 posts today
Public
Bauer Winter :misskey:

Aus Anlass ihres heutigen Geburtstages - Elisabeth-Claude Jacquet de la Guerre:
"Elisabeth Jacquet de la Guerre (1665-1729) - Suite (I) en ré mineur (1707)

Composer: Elisabeth Jacquet de la Guerre (1665-1729)
Work: Suite (I) en ré mineur (1707)
Performers: Thurston Dart (1921-1971, harpsichord)

Painting: Aelbert Cuyp (1620-1691) - River Landscape with Horseman and Peasants"
#Klassik
#Barock
#classicalmusic
#OTD
https://echostreamz.com/watch?v=EA3lr9ukXj8

Pau NG | InvidiousElisabeth Jacquet de la Guerre (1665-1729) - Suite (I) en ré mineur (1707)★ Follow music ► https://www.instagram.com/reciclassicat/ Composer: Elisabeth Jacquet de la Guerre (1665-1729) Work: Suite (I) en ré mineur (1707) Performers: Thurston Dart (1921-1971, harpsichord) Painting: Aelbert Cuyp (1620-1691) - River Landscape with Horseman and Peasants HD image: https://flic.kr/p/2nuxhHn Further info: https://www.discogs.com/sell/release/12485353 Listen free: No available --- Elisabeth (Claude) Jacquet de La Guerre [De Laguerre] (Paris, bap. 17 March 1665 - Paris, 27 June 1729) French harpsichordist and composer. She came from a family of master masons and musicians. She emerged as a musical prodigy and made her debut as a singer and harpsichordist at the court of Louis XIV, apparently at quite a young age. At about age 15 she was taken into the court as a musician and placed under the care of the king’s mistress, Madame de Montespan. Jacquet left the regular service of the court in 1684 and that year married Marin de la Guerre, an accomplished Parisian harpsichordist, organist, music teacher, and composer from a well-established family of professional musicians. The fact that she dedicated nearly all of her published works to the king, however, indicates that she retained connections to the royal circle throughout her career. With Marin she had one son who died at age 10, having shown promise as a musician himself. Marin died in 1704. Jacquet de la Guerre’s first published collection of compositions was the Pièces de clavessin (1687; “Harpsichord Pieces”), noteworthy especially because publication of harpsichord music was still rare in France in the 17th century, even for male composers. The work consists entirely of sets of dance pieces grouped by key, with each group preceded by an “unmeasured prelude,” a genre notated mostly in whole notes to indicate that it does not adhere to a strict metre and thus approximates improvisation. Jacquet de la Guerre’s next published instrumental work, a two-volume set that juxtaposed the French and Italian instrumental styles, did not appear until 1707. The first part of the set, entitled Pièces de clavecin qui peuvent se jouer sur le viollon (“Harpsichord Pieces That May Be Played on the Violin”), again consists of dance pieces in the French tradition. The other part, entitled Sonates pour le viollon et pour le clavecin (“Sonatas for the Violin and for the Harpsichord”), employs idiomatic string writing that shows influence from the Italian instrumental style; these Italianate features include quick passagework, harmonic sequences, and imitation between parts. As was typical in the 18th century, the accompanying harpsichordist played from only a bass line, improvising the harmonies and melodic figures to suit the violin line; this practice was called basso continuo. Jacquet de la Guerre is known to have composed other sonatas for one or two violins and basso continuo. Some of these may be dated to about 1695, while the composition dates of the others remain unknown.
Public
Bauer Winter :misskey:

Jetzt #Zwischenstille und den Couperin auf die Ohren. 🎧
#Klassik
#Barock
#classicalmusic
https://echostreamz.com/watch?v=p0z3PqjHtcU

Muzyka w Raju | InvidiousFrançois Couperin Suite for viola da gamba and basso in E minor I Manon Papasergio, Gabriel RignolFestiwal Muzyka w Raju 2023 w Internecie/Music in Paradise 2023 Festival on the Internet Recorded on August 16, 2023 Gościkowo-Paradyż/Poland Manon Papasergio, viola da gamba Gabriel Rignol, teorba/theorbo François Couperin (1668–1733) Suite for viola da gamba and basso continuo in E minor Prélude, Allemande, Courante, Sarabande, Gavotte, Gigue The whole concert Here and there with viola da gamba (and theorbo) https://youtu.be/-nRJ0IbvVGI *** More films from this year festival available here: Farewell to baroque I: https://youtu.be/_3ajb59tuxU Alors on danse: https://youtu.be/K4YUwt8NXc4 12 Fantasias for Transverse Flute without Bass: https://youtu.be/QFt0ADbF9hI Specchio del mondo: https://youtu.be/OsPPdu0tyxY Verde Barocco: https://youtu.be/ghppCQr6paA Farewell to baroque II: https://youtu.be/z_k9B-9IG4Y To the glory of Theorbo: https://youtu.be/wCcx7mftG-o Krasne barszo: https://youtu.be/OGIAPYObrQ0 Fake and Original?: https://youtu.be/6ACqKC6Q8q8 *** Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego pochodzących z Funduszu Promocji Kultury w ramach programu „Muzyka”, realizowanego przez Narodowy Instytut Muzyki i Tańca. Partner główny: Urząd Marszałkowski Województwa Lubuskiego Co-financed by the Minister of Culture and National Heritage from the Culture Promotion Fund as part of the "Music" program, implemented by the National Institute of Music and Dance. Leading partner: Marshal's Office of the Lubuskie Voivodeship https://muzykawraju.pl/ https://www.facebook.com/muzykawraju Fundacja Muzyki Dawnej CANOR działa od roku 1993. Jest inicjatorem, animatorem i organizatorem różnorodnych działań w obszarze szeroko rozumianej muzyki dawnej: koncertów, festiwali, nagrań płytowych, radiowych, telewizyjnych i filmowych, projektów edukacyjnych i popularyzatorskich, w tym festiwalu „Muzyka w Raju”. Jeśli chcecie Państwo wesprzeć Fundację, możecie zrobić to m.in. przekazując darowizny przeznaczone na naszą działalność lub na poszczególne nasze projekty. Konto Fundacji: 49 1090 1506 0000 0000 5007 2733 Early Music Foundation CANOR has been active since 1993. It has been known for its multi-faced projects in early music: concerts, festivals, recordings, films, and educational activities, including the „Music in Paradise” festival. If you would like to support the Foundation and contribute to our activities or projects, you are welcome with your donations. Our bank account: IBAN: PL 49 1090 1506 0000 0000 5007 2733 SWIFT: WBKPPLPP
Public
Ami Angelwings

It's Monday so it's time for #MoodMusicMonday! Today's mood is "stimulated".

Post a song/songs that you think fit "stimulated"! It can be about feeling stimulated, a stimulating song, a song about stimulants, a song you listen to to stimulate yourself, a song written on stimulants, a song that happens in a video game when you get stimulated, etc

There are no wrong answers, it's just an excuse to post music!

Remember to include the hashtag #MoodMusicMonday and the mood "stimulated".

#Music#PopMusic#Rock
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